Dance on the proscenium stage, movies on the big screen, and television have something in common. Individuals watching peer through one window, a single view upon which their perceptions are based. In contrast, the latest work by choreographer Clare Dyson and collaborators, invites the audience onstage to choose the vantage point (or points) from which they’ll watch as Voyeur explores “notions of intimacy, desire and the performative act of revealing.”
In contrast, the latest work by choreographer Clare Dyson and collaborators, invites the audience onstage to choose the vantage point from which they’ll watch as Voyeur explores “notions of intimacy, desire and the performative act of revealing.”
Clare Dyson has been creating innovative performance works in Australia since the early 1990′s. She has collaborated with brother and lighting designer Mark Dyson for over 10 years, forming their production company Dyson Industries in 1998. They blend dance, visual installation, light and visual metaphor, occupying spaces rather than theaters and often involving the audience.
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